The Set of Who’s Afraid of Virginia Woolf? Essay -- Whos Afraid Virgin

The Set of Whos Afraid of Virginia Woolf? For a victimize as drastically depressing and oppressive as Whos Afraid of Virginia Woolf?, the embed needs to augment the mood as untold as possible. Albees play calls for several props, and all of these have to be provided, however more(prenominal) than that, the coiffe needs to look as real as possible, to interpret that these people are not vastly different from the rest of us. And because in that fact the true horror of the play resides the notice is all-important. Luckily, the performance have a realistic, intricate, close set. Whos Afraid of Virginia Woolf? is set in an ordinary 1950s New England suburban house. postal code is overly expensive or glamorous. But in plays, designers typically want things to catch the eye, yet though in this instance such would ruin the mood. The set designers captured this mood perfectly. Nothing is anachronistic. The set even lacks a coherent color scheme save why would in that respect be? I n most houses, walls are miscellaneous and papered, carpet is put down, but, twenty years later, these same walls are alter with paintings and the floors are covered with rugs and furniture that would not have even been considered in the inception. The set of Whos Afraid of Virginia Woolf? shows this hodgepodge perfectly. Above the set, the eaves of the house, and the roof of some other house are clearly seen, providing, again, a voyeuristic view of the plays events. Such realism creates a believable mood for the play, heighten the effect that these things are actually happening (heightened still more with Albees back-and-forth style of dialog), leaving the viewer acting as a voyeur, but also identifying closely with the characters. The realism in the set design is even more ... ...h a crowded area (set close to the edge of the confront for an even greater close appearance), and seeing them not bump into 1 another is uncomfortable to watch, simply because of the slight inheren t emotional stateing of wrongness, kind of than a good-natured and cozy feeling, that is supported by the caustic dialogue. The set of Whos Afraid of Virginia Woolf? is perfectly designed for the play. The realism and intricacy of the shot and props attempt to raise the fourth wall as much as possible, heightening the reality of the performance, while the claustrophobic closeness of everything tear the wall down in tiny shreds, giving a feel of unease to the play. In any modern play, unlike Shakespeares plays, there is a struggle to present the play in the accurate time, and the set designers of Whos Afraid of Virginia Woolf? have done this flawlessly and accurately.